Meet "Z-Machines," the three piece robot band bringing a whole new meaning to electronic music.
Z-Machines.
Quick math question: What has 78 fingers, 22 arms, and no brain?
Listen to this
three-piece with your eyes closed and it could be any group of musicians
plucking a guitar, twinkling on an electric keyboard, or beating a
drum.
Answer: "Z-Machines," the robot band with a surprisingly human sound.
Sure, there's a
synthesized quality to the music -- which sweeps from orchestral to
experimental rock -- but what band doesn't get a little help from
computers these days?
Open your eyes and you'll find something very different indeed.
For starters, the
guitarist is a humanoid looming two-meters-tall, with 78 fingers
sweeping across the glowing instrument strapped to its torso.
The rocking robot --
called March -- bangs its impressive mane of multi-colored cables in
time to the music, albeit a little jerkily.
Seated a little behind is
Ashura, the drummer with 22 arms extending like a futuristic octopus
and playing four times faster than any human ever could.
And then there's Cosmo,
perhaps the most alien band member of all, a keyboardist with green
lasers hitting each key with pinpoint accuracy.
Can these robots play music that is emotionally engaging?
Tom Jenkins
Tom Jenkins
"The footage of the
robot performer is almost like watching a broken human, with a skeleton
of steel, and oil for blood," said Tom Jenkinson, better known as
British recording artist Squarepusher, who composed the music for the mechanical band's new EP.
"Using robots has this
eerie narrative associated with it -- the twilight area between human
and machine. It's just a box of tricks, but it still haunts us because
we see it as an impression of ourselves."
Big in Japan
Created by engineers at
the University of Tokyo, the robot band uses around 300 kilowatts of
electricity, which designer Kenjiro Matsuo admitted: "Is a big amount of
power."
"We just bought a power board which has a switch -- many people can try to make this kind of robot in their house now."
Visitors at a technology fair in Tokyo test out the giant guitarist.
Getty Images
The machine musicians made their stage debut at a "Future Party" in Tokyo last year, performing an electro-rock mash-up for the screaming crowd.
Girls in space-age outfits gyrated around guitarist March, whose screen face flashed slogans like "Party!"
Each time the audience raised their drinks in the air, the band would play faster, in an event sponsored by the drinks company.
It's almost like watching a broken human, with a skeleton of steel, and oil for blood
Tom Jenkins
Tom Jenkins
Soul music?
Now the machine musicians are set to release a five-track album, with the first single "Sad Robot Goes Funny," a more melancholy tune than you might expect from a band without hearts.
"Can these robots play
music that is emotionally engaging?' asked Jenkinson, who composed the
song and has experimented with electronic music in a career spanning two
decades.
"It's a fascinating question, and one that I've tried to explore in this project. I'll let people make up their own minds."
So how do you create music for a machine with 78 fingers, which can hit a note every eight milliseconds?
"It's just another way
of making sound, but in this case what's interesting is the aesthetics
of the instrument," said Jenkinson.
Are you ready to rock? Z-Machines in action.s
"Just like when you're
writing music for a human, there are certain possibilities and certain
limits. The robot guitarist for example, can play much faster than a
human ever could, but there is no amplification control."
Electronic evolution
If you imagine that this
is the start of a robot revolution, never fear, we've still got a fair
way to go before people tire of flesh and blood performers, said
Jenkins.
"Is the performance going to be less compelling because it's robots?" he asked.
"For me, part of the appeal has to do with hearing a familiar instrument being 'played' in an unfamiliar fashion."
And behind every robot musician, is a human being bringing it to life.
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